I like to fill the space with music and often walk around the apartment, listening to it from another room while doing something completely different. Especially if it's music with ambient elements.
COLLAB STORIES
PEJZAŻ
Pejzaż, also known as Bartosz Kruczyński, is a Polish music producer, DJ, and sound artist. He is valued for his unique approach to music, blending elements of chillout, house, and ambient with nostalgic references to Polish culture from the 80s and 90s. His work, primarily released under the label The Very Polish Cut-Outs, is characterized by his skillful transformation of samples from Polish songs of the past, which gives his music a distinctive atmosphere.
Interview
PEJZAŻ & TAMO
Do you mix arranging a new space the same way you mix music? A little vintage, a little new? Do you need to have context?
Actually, I don't have much vintage in my space. The only things that come to mind are a figurine from Bogucice - "Egipcjanka" - a family heirloom, and a few decorations from flea markets. I'm also trying to restore two chairs, but it's going quite slowly. The most vintage in my case is probably vinyl records, CDs, and books.
Your achievements have been quite noticeable abroad. You can be heard on the Ninja Tune playlist, and apparently Bonobo loves your music. Do you consider yourself someone who sets trends, or rather someone who creates them?
No, not at all! I just try to make it unique and a little different from the rest, that's enough for me. Bonobo once used one of my tracks (recorded with my friends Adam and Aneta) on his CD released in the Fabric club mix series, which of course made us very happy. My music has also appeared on playlists from artists like Bicep, Kim Ann Foxman from Hercules & Love Affair, Gaika, Shanti Celeste, in NTS shows, and with DJs who have a truly vast experience, such as Tim Sweeney (Beats In Space), David Holmes (most known for his original soundtracks to Steven Soderbergh's films), Mixmaster Morris (who released with Ninja Tune), Bill Brewster. The list is pretty long, and it’s a great feeling that my music reaches people who are themselves an inspiration to me.
What is the creation process like for you? Do you sit at your desk or are you more on the move? What is your way of expressing yourself?
Mostly, it's working at my desk, but I enjoy filling the space with music, and often walk around the room, listening to it from another room while doing something completely different. Especially if it's music with elements of ambient.
What makes you feel most comfortable in your apartment, and which part of it are you most satisfied with? Is it difficult to combine living/work/studio space in one area?
I’ve always worked this way, so it feels completely natural to me. However, I finish a large part of my music by collaborating with others on the mixing process. I value the opinion of another person at that stage.
What is your relationship with design? Does aesthetics have to meet functionality? You chose the BOLD desk and the MEDA RTV cabinet, so it's practical!
In my case, functionality must meet aesthetics. I really enjoy when furniture can "disappear" and I stop thinking about it. Sometimes I feel the same way about music – I like when it fills the space and you can appreciate its texture and the small details. At work, I often handle several projects at once, so I absolutely love the open compartments in the BOLD desk and the enclosed space of the MEDA. It really helps me maintain balance.
What are you listening to right now?
The "Atlantic Mavericks" compilation with experimental Portuguese music, which I bought during my vacation in Porto (at the Materia Prima store). The vinyl of Rod Modell "Ghost Lights," which I had listened to many times on streaming platforms during my travels. A few classic CDs, such as "Last Splash" by The Breeders.
