Art has always been my passion. As a child, I was very creative and developed an interest in art quite early. I bought my first art print — a piece by Wassily Kandinsky — when I was just 10 years old. In school, art was my main subject all the way through to graduation… I was torn between studying art or law. In the end, I chose the latter.

When I finished my studies and had more time for myself, I became deeply interested in design, architecture, and interiors. I could spend hours flipping through interior design magazines, and whenever I traveled with my husband, I would intentionally choose destinations that fascinated me from a design perspective.

Over time, I started to feel — or rather need — to create something beautiful for the world as well. I had a strong desire to make art and to see it enriching the most beautiful interiors.

My paintings are abstract, and what I love about abstract art in general is that it’s very versatile. Depending on the interior it’s placed in, it creates a completely different effect depending on the style of the space. A piece can blend harmoniously and quietly with its surroundings — but that same painting can create a strong contrast in another setting and evoke an entirely different atmosphere.

That’s why I wouldn’t associate my art with any specific direction. I think what defines my work is its ability to enhance an interior — it stands out without overpowering the space. Perhaps it simply holds the right balance between subtlety and presence.

I’m often asked whether I see myself as an artist or a designer. Honestly, that question always surprises me in a good way, because I’ve always assumed that if you paint, you’re technically an artist. But I suppose the question arises because I often create pieces tailored for specific interiors — so in a way, I think I’m both. Just as I believe many designers and architects are also artists.

In the world of design and art, I have the feeling that what belongs together somehow finds its way. I never perceive market demands as something I have to deal with or adapt to. It’s more about what’s already within me and what I love. It’s exciting for me to be able to respond to that and give something of myself to the market.

At first, I wasn’t even looking for a studio — I was a little afraid of taking that step. I used to paint in the attic of the building we live in, but it became more and more difficult: there was very little natural light, it was freezing in winter, and almost like a sauna in the summer.

One day, my husband found a studio for me. I have a big weakness for outdoor string lights, and when he showed me the place, I instantly fell in love and the decision was made. The studio is located in a quiet, green courtyard of an old building. The whole courtyard is decorated with string lights, and when I saw that — it was love at first sight.

Of course, the space itself was also perfect. It’s one large, bright room with great natural light. The location, tucked inside the courtyard, feels like a safe retreat — it's very quiet. When I’m not playing music, I hear birds singing. Sunlight pours in. It’s my peaceful oasis, and I honestly can’t imagine a better place for creative work.

As an artist, I also spend a lot of time on non-creative work — administrative tasks take up a significant part of my day. I like doing that at home, at my desk, because I want to keep my studio purely for creative work. Besides being an artist, I have a great passion for design and architecture. In a way, my work is also my hobby. I love getting lost in interior design magazines, whether at home or in a café. I really enjoy traveling with my husband, and we try to visit places that inspire us both in terms of design — like boutique hotels, cities with interesting architecture, or destinations that appeal to us through food, as we both love great cuisine.

For me, home is something very important and essential. It can be a place of retreat that forms the foundation of overall well-being. That’s why my husband and I tried to design our home to radiate calm and a sense of safety.

We live in a 500-year-old townhouse with ceilings up to 3.4 meters high in some areas. There isn’t much furniture, it’s very clean, and there are no bright colors. The entire interior is composed only of natural tones — both dark and light: white, beige, ochre, and black. One of the walls, for example, is black.

I love my home the most in the evening, when it's dark outside and the many lamps — each one sentimental to me — create a cozy atmosphere. Another thing I really enjoy doing at home is cooking. I often come back, change clothes, and within five minutes, I’m already cooking. I feel that as soon as I leave the studio, I still have the need to do something hands-on — and I find that again in the kitchen.

What I find especially beautiful in TAMO furniture is the distinct geometric shapes – and, most importantly for me, the proportions between the forms and lines. They are exceptionally well-balanced. This clear design language perfectly matches my personal taste, fitting both my home and studio, as well as resonating with my art. I place great importance on quality in design. What I appreciate about TAMO pieces is that when you lift or touch them, you instantly feel the weight, the solidity, and the durability. The craftsmanship is of high quality, and the surfaces are stunning – you can still feel the natural character of the wood itself.